Tombstone of Alvin C. York with brass plaque and engraved decorations. The decorations above the plaque depict York's Congressional Medal of Honor, a rifle with bayonet attached, and an M1917 "Tommy" helmet. 35mm slide labeled "York Memorial 5."
SP4 Christopher Ammons is pictured receiving the Purple Heart for his combat injury. Ammons, left, wears the medal on his uniform and smiles as the officer shakes his hand. All four men in the picture are wearing combat helmets.
Front view of the Woman's Building at the Tennessee Centennial Exposition. The building was somewhat modeled after Andrew Jackson's home, the Hermitage. In addition, the building also had features of Grecian architecture. Eight massive columns...
Soldiers; Heroes; Men; Military uniforms; Medals; Military decorations; Awards; Insignia
Alvin York in his military uniform displaying three medals: a Tennessee state medal, his Congressional Medal of Honor, and the French Croix de Guerre. Text underneath the image features a quote from Supreme Allied Commander, Marshal Ferdinand Foch.
This typed, 5" x 8", two-sided card maintained in the Tennessee Adjutant General's files displays basic biographical and military information concerning Alvin C. York and the awarding of his Medal of Honor. Categories of information are set, and...
C.S.A. Brigadier General E. W. Rucker, seated, in Confederate uniform, wearing a decoration on his left breast. His left arm has been amputated. The photograph includes signature.
Elderly Civil War veteran Julius F. Howell, seated, wearing a Confederate uniform with two medals on his chest. Writing (erased) on the back of the photograph can be made out to read that Howell was 101 when the photograph was taken.
Sword and scabbard, three branch brass guard with floral decorations at terminals; floral escatcheon on guillion; wood grip with twisted wire wrapping. The blade is plain with acid etched cartouche reading, "Manufacture//d'Equipements...
William Strickland's watercolor sketch of the columns in the cloister of Basilica de S. Giovanni in Laterano. The sketch shows an unfinished drawing and next to it a finished sketch. Strickland gives a handwritten description of the columns.
