Yashica Electro 35 camera with which Christopher Ammons took most of his Vietnam photographs. The camera was purchased at the PX in Qui Nhon during his second tour. Beside it are film canisters with "Vietnam" printed on them.
WSM Grand Ole Opry performance on stage at the Ryman Auditorium in Nashville, Tennessee. A sign reading "A service of National Life and Accident Insurance" is in the background on a barn stage prop.
Written on U. S. Christian Commission stationery to "Dear Brother" from A. J., J. A., and W. T. Easley. "We went under a flag of truce and I can tell you John it did not look right to see the Jonnys and Yankees all mixed up together Looks like war...
Written on U. S. Christian Commission stationery and titled "Horid Disaster." On the back of the letter he writes "lost, lost, all is lost." This letter explains the death of Sol's brother-in-law, Henry Marshall Misemer and two brothers, Levi and...
World War, 1914-1918; War; Soldiers; War casualties; Wounds & injuries; Prisoners of war
Wounded from the 27th Division, United States Army, being carried to the rear by the aid of German prisoners taken during the drive at Vaux-Andigny, Aisne, October 17, 1918. See "Catalogue of Official A. E. F. Photographs Taken by the Signal Corps,...
William Strickland's watercolor sketch of the Sepulchre or Tomb of Caecilia Metella. The sketch shows part of the Appian Way. Strickland gives a short description of the tomb.
William Strickland's watercolor sketch of the columns in the cloister of Basilica de S. Giovanni in Laterano. The sketch shows an unfinished drawing and next to it a finished sketch. Strickland gives a handwritten description of the columns.
Monuments & Memorials; Basilicas; Popes; Domes; Latin cross-plan buildings; Plazas
William Strickland's watercolor sketch of the Basilica of St. Peter, Rome. Strickland gives handwritten descriptions and dimensions of the building porticoes. He describes the dome as being "decidedly ugly."
William Strickland's watercolor sketch of a Roman tower of the 12th Century. The sketch includes a detail of the corner of the tower. Strickland provides a description of a typical Roman tower.
William Strickland's watercolor drawing of the fortress of Radicofani, and the surrounding Tuscan countryside. A small house and a village are shown in the sketch. Strickland provides a handwritten description of the scene.
